What Photography has in Common with an Empty Vase will be presented at the Macau Museum of Art, Macau (China).
What Photography has in Common with an Empty Vase will be presented at the Macau Museum of Art, Macau (China).
What Photography has in Common with an Empty Vase will be presented @ Museu Nacional de Arte Contemporânea (MNAC), Lisbon (Portugal).
Solo exhibition of What Photography has in Common with an Empty Vase @ Geneva Photography Centre (Switzerland).
What Photography has in Common with an Empty Vase will be presented @ MOCA (London).
What Photography & Incarceration have in Common with an Empty Vase, winner of the Portrait of Humanity Photography Prize, launched by the British Journal of Photography, is exhibited at Indian Photo Festival (India).
What Photography & Incarceration have in Common with an Empty Vase, winner of the Portrait of Humanity Photography Prize, launched by the British Journal of Photography, is exhibited at Belfast Photo Festival (Northern Ireland).
Works from the series The Time Machine & This is not a House in the exhibition, ENSAIO PARA UMA COMUNIDADE: Retrato de uma coleção em construção, (take 1), MAAT (Espaço Central Tejo), curated by Paulo Mendes.
What Photography & Incarceration have in Common with an Empty Vase, winner of the Portrait of Humanity Photography Prize, launched by the British Journal of Photography, is exhibited at Photo 2021 (Melbourne, Australia).
What Photography & Incarceration have in Common with an Empty Vase is the series winner at the Portrait of Humanity Photography Prize, launched by the British Journal of Photography.
Works from the series Siloquies & Soliloquies on Death, Life and Other Interludes, to be included in the exhibition Dying, Death, Burial, Mourning & Commemoration, Museum for Sephulcral Culture, Kassel, Germany.
Works awarded the European Photography Call to be presented at PhotoBrussels Festival: The World Within, Hangar Centre, Brussels, Belgium.
Solo exhibition of what Photography & Incarceration have in Common with an Empty Vase @ The Herbert Museu (Coventry, UK).
What Photography & Incarceration have in Common with an Empty is selected in the 2020 PHmuseum Best PhotoBook of The Year List.
Ron's Hand is made from guilt selected as a finalist in the 2020 Meitar Award for Excellence in Photography. This work will be on show at the 8th International Photography Festival, Tel-Aviv, Israel.
Delpire & Co. is pleased to announce on on Sat 5th Dec 5pm CET and Sund 6th Dec, a series of talks on photobooks with Edgar Martins, Gloria Oyarzabal, Soumya Sankarbose, June Canedo & Sarah Meister, photography curator at the Museum of Modern Art (MoMA, New York), in the context of the Aperture & Paris Photo Photobook Awards. These conversations are free and will be held in English.
What Photography & Incarceration have in Common with an Empty Vase shortlisted for Best Photobook @ Paris Photo & Aperture Foundation Photobook Awards 2020.
Arte em São Bento 2020, works from the Coleção Fernando Figueiredo, São Bento (Residency of the Portuguese Prime-Minister), curated by João Silvério & Ana Anacleto, Lisbon, Residência Oficial do Primeiro-Ministro - Palacete de São Bento.
What Photography & Incarceration have in Common with an Empty Vase has been selected in the international category to take part in the exhibition Best Photography Book Award PHotoESPAÑA2020 at La Fábrica Gallery.
Edgar Martins selected as one of the Lauréates of the PhotoBrussels Festival Call for European Photography. The nominated works will be on display at the 5th edition of the PhotoBrussels Festival from the 20th Nov 2020 - 23.01.2020.
What Photography & Incarceration have in Common with an Empty Vase reviewed in Camera Austria Issue 149, March 2020.
The exhibition What Photography has in Common with an Empty Vase at Galeria Filomena Soares is nominated best photographic project at SPA Prémio Autores 2020, Portugal.
Works from the series The Poetic Impossibility to Manage the Infinite, from the semi-permanent collection of Museu Gulbenkian, on show the exhibition "Partidas e Chegadas. Artistas em Viagem na Coleção Moderna".
CIVILIZATION: The Way we Live now, an exhibiting curated by William Ewing featuring works from the series The Time Machine and 00:00.00 to be exhibited at Auckland Art Gallery Toi o Tãmaki, Auckland
The Life and Death of Schrodinger's Cat presented at the second edition of GoaPhoto, India.
What Photography has in Common with an Empty Vase @ Galeria Filomena Soares (Portugal).
What Photography & Incarceration have in Common with an Empty Vase to be launched at Paris Photo & Off-print 2019.
Works from the series Siloquies and Soliloquies on Death, Life and Other Interludes will feature in the exhibition The Truth in Disguise at GESTE Paris.
Edgar Martins' contributes one artwork to Odette England's Winter Garden Project @ Houston Centre for Photography, USA.
CIVILIZATION: The Way we Live now, an exhibiting curated by William Ewing featuring works from the series The Time Machine and 00:00.00 to be exhibited at Gallery of Victoria, Melbourne & Auckland Art Gallery, Auckland
Images from the series The Poetic Impossibility to Manage the Infinite to integrate the show Osmos Cosmos @ Centre Photographie Genève.
Destinerrance will be presented @ 3 Shadows Photography Art Centre, Beijing.
Works from the series This is not a House, to be included in the group exhibition 'De outros espaços' to be held at Galeria Municipal do Porto, Portugal.
What Photography has in Common with an Empty Vase, a new book by Edgar Martins to be launched @ Photo London 2019.
00:00.00 included in Usimages Biennial of Industrial Photography, France.
LensCulture is proud to present Beyond Boundaries, an expansive exhibition of recent discoveries in contemporary photography. Curated in part by leading editors, curators, thought leaders, and artists, Beyond Boundaries is an inclusive group show that doubles as both a celebration and a survey of global image making today. With seventy-seven participating photographers hailing from over twenty-seven countries, this exhibition is a visual reflection of the beating hearts and curious minds of LensCulture’s vibrant community.
Works from the series What Photography has in Common with an Empty Vase to feature in the show Constellations: A choreography, @ Museu Fundação Berardo, Lisbon
Works from the series The Time Machine: An Incomplete & Semi-Objective Survey of Hydro-Power Stations will be included in the group show Fiction and Fabrication @ MAAT, Lisbon.Fiction and Fabrication is intended to depict the emergence of photographic practices that, either arising from the field visual arts or the post-Photoshop condition, have introduced a disturbance in the ways architecture is represented and made part of a wider contemporary visual culture. Ranging from depictions of real conditions that become stranger than fiction, to fictional construction made for and through the photographic image, the show will get together a fascinating array of contemporary work.
What Photography has in Common with an Empty Vase to be exhibited at FORMAT Festival 2019. Work to be included in the show Mutable/Multiple, QUAD, Derby.
CIVILIZATION: The Way we Live now, an exhibiting curated by William Ewing featuring works from the series The Time Machine and 00:00.00 to be exhibited at Ullens Center for Contemporary Art, Beijing.
CIVILIZATION: The Way we Live now, an exhibiting curated by William Ewing featuring works from the series The Time Machine and 00:00.00 to be exhibited at National Gallery of Victoria, Melbourne.
CIVILIZATION: The Way we Live now, an exhibiting curated by William Ewing featuring works from the series The Time Machine and 00:00.00 to be launched at New Museum of Modern and Contemporary Art, Seoul.
WHAT PHOTOGRAPHY AND INCARCERATION HAVE IN COMMON WITH AN EMPTY VASE: A Symposium on Incarceration, Absence, Photography and Fiction will take place at At The Shell, Parkside, Birmingham City University 5th December 2018, 2pm – 6pm.
Destinerrance will be presented at Purdy Hicks Gallery.
A selection of works from What Photography has in Common with an Empty will be presented by Catharine Clark Gallery @ Paris Photo 2018.
The Poetic Impossibility to Manage the Infinite included in the 2nd Beijing Media Art Biennale (BMAB) @ CAFA Art Museum, Beijing.
I'm Still Here is an exhibition organised by The Koestler Trust of art by ex-offenders, secure patients and detainees curated by prisoner's families.
What Photography has in Common with an Empty Vase is awarded one of the top 3 prizes in Lens Culture Art Photography Awards.
Works from the series The Time Machine will be on show at Centro de Arte Contemporânea Graça Morais, Bragança.
The Poetic Impossibility to Manage the Infinite, to be presented at New Walk Museum and Art Gallery (Leicester, UK).
What Photography has in Common with an Empty Vase to be presented at Photo London 2018 (Purdy Hicks Gallery).
Siloquies and Soliloquies on Death Life and Other Interludes awarded 1st prize in the Still Life Category of the SONY World Photography Awards .
Edgar Martins' Siloquies and Soliloquies on Death, Life and Other Interludes at ARCO 2018 (Galeria Pilar Serra).
Siloquies and Soliloquies on Death, Life and Other Interludes voted one of the best books of the year by 1000words magazine.
Siloquies and Soliloquies on Death, Life and Other Interludes will be presented at Melanie Rio Fluency stand during Paris Photo 2017.
Launch of Destinerrance: The Place of the Dead is the Place of Photography @ Paris Photo 2017. This publication is published by CIAJG & The Moth House. More news to follow.
Work by the Winners, Finalists, and Jurors' Picks from the Magnum Photography Awards 2017 will be exhibited in London at The Photographers' Gallery from 9-18 October. This show will include images from the series Siloquies and Soliloquies on Death, Life and Other Interludes.
Siloquies and Soliloquies on Death Life and Other Interludes will be presentes at the inaugural edition of Photo Oxford 2017, from 8 -24 September (Kendrew Barg Gallery, St. John's College, St. Giles, Oxford, OX1 3JP).
Siloquies and Soliloquies on Death Life and Other Interludes will be presented during Les Nuits de La Photographie @ Rencontres D'Arles 2017. The work will be projected as part of the Voies Off Awards nomination on Monday 3rd July at Croisière an during Night of the Year, on Friday 7th July at Papeteries Étienne.
Edgar Martins to speak at The State of Photography II: Symposium, an initiative by Grain Photography @ Birmingham City University.
Siloquies and Soliloquies on Death, Life and Other Interludes was awarded a special distinction (Juror's Pick) at the Magnum & Lens Culture Photographic Awards.
This symposium will present and discuss documentary practices that involve new forms of storytelling in photography and film.Presentations by artists Brett Story and Edgar Martins will focus on the use and representation of physical space as a means of constructing social and epistemic order. The symposium will explore thematic links in the work of both practitioners in their varied encounters with cultural politics, science and the geographic imagination.
The Power of Images: An Iconic Selection of Photographs on Industry and Work from the MAST Collection, MAST (Italy). This extensive group show will feature recently acquired works from the series 00:00.00 and The Poetic Impossibility to Manage the Infinite.
Siloquies and Soliloquies on Death, Life and Other Interludes has been selected for the Photo España 2017 Photobook Prize exhibition at the Spanish National Library, Madrid, from 13 May - 27 August 2017. Prize results will be announced on June 15.
3 works from the series Reluctant Monoliths will be on display at Yamamoto Gendai's booth at Art Beijing 2017.
The Poetic Impossibility to Manage the Infinite has been selected for Format 2017 due to take place between 24 March and 23 April 2017 (Derby, UK).
Destinerrância: O lugar do morto é o lugar da fotografia to be presented at José de Guimarães, International Art Centre, (Guimarães, Portugal).
Works from This is not a House, The Rate of Convergence of Two Opposing System Trajectories and A Metaphysical Survey of British Dwellings will integrate the group exhibition 'Este lugar lembra-te algum sítio?', curated by Miguel Sousa Ribeira at Círculo das Artes Plásticas Coimbra.
Siloquies and Soliloquies on Death, Life and Other Interludes will be presented at Cristina Guerra Contemporary Art's stand (J8) at Art Basel Miami Beach 2016.
Group show Da Fuga e do Encontro: Inversões do Olhar, curated by Sérgio Fazenda Rodrigues opens at Espaço Novo Banco, Lisbon.
Edgar Martins' my new book Siloquies and Soliloquies on Death and Life & Other Interludes will be launched at Paris Photo on November 11 (Melanie Rio Gallery and Purdy Hicks Gallery stands).
Images from the series This is not a House, A Metaphysical Survery of British Dwellings and Reluctant Monoliths will integrate the group show O Estado da Arte com a Arquitectura, Centro para os Assuntos da Arte e Arquitectura (CAAA), charted by Miguel Sousa Ribeiro and Susana Rosmaninho at Centro para os Assuntos da Arte e Arquitectura (CAAA), Guimarães, Portugal.
Siloquies and Soliloquies on Death and Life & Other Interludes at Cristina Guerra Contemporary Art, Lisbon. More news to follow.
Siloquies and Soliloquies on Death and Life & Other Interludes at Museu da Electricidade/MAAT, Lisbon. More news to follow.
The Time Machine will be presented at Dubai Photo Exhibition.
Strange Fruit: Siloquies and Soliloquies on Death and Life will be presented at Open Eye Gallery (Liverpool) from January-March 2016. More news to follow.
0:00.00, Edgar Martins' forthcoming book is to be launched on Friday 13th November at Paris Photo.
Due in November 2015, this new book published by The Moth House documents an 18-month long collaboration which I undertook with the BMW Group surveying the fabrication, tooling and assembly of the modern era automobile vehicle. Whilst the project focuses solely on BMW's plant and R&D centers in and around Munich (Germany), it also looks beyond the mere referent, representing therefore a point of resistance.
Please join us on Thursday 21st May from 3-4pm at Photo London (The Wapping project Bankside booth) where I will be signing copies of my book The Poetic Impossibility to Manage the Infinite.
Launch of The Wayward Line at Châeau de Gruyères (Switzwerland) as part of the Alt+ 1000 Festival de Photographie.
Images from The Poetic Impossibility to Manage the Infinite will be on show at Photo London, through The Wapping Project Bankside.
Private-view of The Poetic Impossibility to Manage the Infinite @ The Wolverhampton Art Gallery (UK) and talk hosted by Edgar Martins and ESA astronaut Jean-François Clervoy. Exhibition will be on display from 07.02.2015 - 02.05.2015.
When Light Casts no Shadow is featured in "Perspectives on Place: Theory and Practice in Landscape Photography”, a Bloomsbury, (London) publication, edited by Jesse Alexander, ISBN 9781472533890.
My collection / TERRADA, featuring images from The Time Machine @ T-Art Gallery, Tokyo, curated by Daisuke Miyatsu.
The Diminishing present is featured in Art and Ecology Now, a Thames & Hudson publication, edited by Andrew Brown.
Private-view of a concise exhibition of works from the series The Poetic Impossibility to Manage the Infinite @ Melanie Rio Gallery Paris, 19:00.
Edgar Martins will be signing his new book The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite at Melanie Rio Gallery Booth, 16:00, Paris Photo (Paris).
Private-view of The Poetic Impossibility to Manage the Infinite @ Sala da Cidade (Museu Municipal de Coimbra), from 18:30 - 19:30.
Children attending the Calouste Gulbenkian Foundation's Summer workshops respond to Edgar Martins' exhibition 'The Poetic Impossibility to Manage the Infinite', by producing their own artworks/sculptures.
Edgar Martins and exhibition curator Leonor Nazaré give a guided tour of The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite @ Fundação Calouste Gulbennkian, Lisbon, 17H00.
The Poetic Impossibility to Manage the Infinite is featured on SICnotícias.
Private-view of The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite @ Fundação Calouste Gulbennkian, Lisbon.
Private-view of The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite @ Galerie Melanie Rio (Nantes, France).
Edgar Martins in Conversation with ESA astronaut Jean-François Clervoy and Senior Curator of Photographs at the V&A, Martin Barnes, 19H00-20H00 at The Wapping Project Bankside. Event is free to attend but booking is essential.
Images from the series This is not a House and Reluctant Monoliths are presented at Art'Otel as part of the Grid Festival Amsterdam.
Edgar Martins contributes a guest post to super-collider.com .
The Rehearsal of Space is featured in the Mailonline.
Private-view of The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite @ The Wapping Project Bankside.
Vega Mobile Gantry picture, from the series The Rehearsal of Space is selected by The European Space Agency as their Tech Pic of the Week .
Hot off the press: The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite, a new book by Edgar Martins, is published by La Fabrica/The Moth House.
The Rehearsal of Space is featured in Jornal Tribuna de Macau (Macau, China).
Talk entitled The Rehearsal of Space scheduled to take place at The University of Northampton, from 1100-1300.
To view The Moth House's March newsletter with news and information on the release of my latest book The Rehearsal of Space and The Poetic Impossibility to Manage the Infinite, please click here.
The Rehearsal of Space is featured in O Actual/O Expresso (Portugal).
Entre Imagens documentary airs today on RTP 2 (Portugal). Episode 2 is dedicated to Edgar Martins.
Edgar Martins is interviewed by Patrícia Alves, Ponto Final (Macau, China).
The Rehearsal of Space is featured in postmatter.com .
The Rehearsal of Space is featured in Internazionale.it .
The Rehearsal of Space is featured in featured in Wired.com .
The Rehearsal of Space is featured in fastcodesign.com @ fastcompany.com .
The Rehearsal of Space is featured in repubblica.it .
The Rehearsal of Space is featured in Behold, The Photo Blog of online magazine Slate.
The Rehearsal of Space is featured in fastcompany.com .
The Time Machine is featured in Photobookshow Malmö, Sweden.
The Rehearsal of Space is featured in DAMN magazine.
The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite featured in The Guardian.
Reluctant Monoliths previewed @ Art Basel Miami (5-8th Dec, Cristina Guerra Contemporary Art Booth_J08)
The Wapping Project Bankside has partnered with Mallett, the renowned antique furniture dealers, to present a unique and original hang of contemporary photographic work. It's an exceptional synergy of classic and contemporary.
Private-view of Ruins, the logic of facts and the logic of fictions @ Laura Marsiaj Arte Contemporânea (Rio de Janeiro).
The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite is previewed @ Paris Photo (14-17th Nov, Melanie Rio Gallery booth).
The Rehearsal of Space & The Poetic Futility to Manage the Infinite is featured in the Financial Times Magazine. Click here to view the online feature.
Talk and guided tour of exhibition @ Photofusion, London, from 3-4pm.
The Time Machine is included in Shinonome Photo Festival 2013 at TOLOT / heuristic SHINONOME, Tokyo.
The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite previewed @ Unseen Art Fair Amsterdam (26-29th Sept, The Wapping Project Bankside booth), as well as Paris Photo (14th-17th Nov, Melanie Rio Gallery booth).
Private-view of The Time Machine @ Fórum Fundação Eugénio D'Almeida, Évora (Portugal).
The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite previewed @ ArtRio (5-8th Sept, Laura Marsiaj Arte Contemporânea booth K2).
Private-view of The Time Machine @ Photofusion, London.
Edgar Martins in conversation with Unseen Art Fair.
The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite previewed @ SP-arte/Foto (22-25th Aug, Laura Marsiaj Arte Contemporânea booth).
Talk @ Carmignac entitled The Rehearsal of Space & The Poetic Impossibility to Manage the Infinite, 12:15 PM.
Edgar Martins announces his historic collaboration with the European Space Agency.
Private-view of Why not live for Art scheduled to take place at Tokyo Opera City Gallery, Japan.
Edgar Martins @ Art Basel, with Cristina Guerra Contemporary Art (Lisbon). Stand N14
Talk at Futurelab entitled The Rehearsal of Space & The Poetic Impossibility of Manage the Inifinite.
Private-view of Sincronias (Colecção António Cachola) scheduled to take place at MEIAC, Museu Extremenho e Iberoamericano de Badajoz (Spain).
Talk at Publishing Week Symposium, Diffusion Festival, Chapter House, Cardiff, 11:45am.
Private-view of The Time Machine scheduled to take place at Ffotogallery, Penarth (Wales). For a video about the show, please click here.
Private-view of Landmark: the Fields of Photography (group show) @ Sommerset House, London.
Artist talk @ The Gallery of Photography, Dublin.13:00-14:00.
Private-view of This is not a House @ The Gallery of Photography, Dublin.
Private-view of The Time Machine: An Incomplete & Semi-Objective Survey of Hydropower Stations @ Galeria Fundação EDP, Porto (Portugal).
Edgar Martins @ Miami Basel, with Cristina Guerra Contemporary Art (Lisbon).
Edgar Martins @ Paris Photo, with Melanie Rio (Nantes, France). Work selected for 'As seen by David Lynch', a curated Paris Photo publication about the best works on show.
Private-view of Intersections: Art & Science (group show) @ The Weizmann Institute, Rehovot (Israel).
Private view of Fotografia - Festival Internazionale di Roma @ MACRO (Museum of Contemporary Art in Rome). This exhibition will run until 4th November 2012.
Private view of Square Up, Esposizione di fotografia contemporanea (group show) @ Atelier dell'Arco Amoroso, Ancona, Piazza del Plebiscito, Acona (Italy).
Private-view of A man is walking down the street. At a certain moment, he tries to recall something, but the recollection escapes him. Automatically, he slows down (group show) @ Cristina Guerra Contemporary Art, Lisbon.
Filming for documentary titled Entre Imagens, scheduled to be launched in 2014. For a trailer of the documentary, please click here.
Private view of 'Paisagem Humana #15 (group show) @ BES Arte & Finança, Lisbon.
Private view of The Time Machine: An Incomplete & Semi-Objective Survey of Hydropower Stations @ Centro de Arte Contemporânea Graça Morais, Bragança (Portugal).
Edgar Martins @ Art Basel, with Cristina Guerra Contemporary Art (Lisbon).
Interview featured in Câmara Clara (RTP). For more information please click here.
The Wayward Line exhibition reviewed in Ipsílion (O Público), by Nuno Crespo. To read the article please click here.
Private view of 'Camp Out: Finding Home in an Unstable World' (group show) @ Laumeier Sculpture Park, St. Louis, USA.
Work featured in the inaugural international edition of Direct Arts Magazine (Portugal).
This is not a House reviewed in Aesthetica Magazine, by Ruby Beesley. To read the article please click here.
Private-view of The Wayward Line @ Gristina Guerra Contemporary Art (Lisbon).
Private-view of This is not a House @ The Wapping Project Bankside (London).
Private-view of This is not a House @ Galeria MouraMarsiaj (S. Paulo).
Private-view of Arte Portuguesa do Século XX 1960 - 2010 (group show) @ Museu do Chiado, Lisbon.
Private view of The Near and the Elsewhere (group show) @ PM Gallery & House (London).
The Time Machine book launch @ The Wapping project Bankside, from 19H00-21H00.
Private view of This is not a House @ The Wapping Project (London), from 19H00-21H00.
Work featured in Sotheby's Guide to Collecting Photography, published by Thames & Hudson & edited by Jocelyn Phillips.
Launch of catalogue of seminar entitled On the Surface: Public Space and Architectural Images in Debate' published by FAUP/EUAM & edited by Pedro Leão and Pedro Bandeira.
Private-view of Abrstraction (group show) @ Château d'Eau, Toulouse (France).
Private view of The Time Machine @ Yamamoto Gendai (Tokyo).
Aperture Presents @ Boutique Montblanc. As part of Mois de la Photo, Aperture Presents exhibition will feature a stellar lineup of diverse photographers whose abstract approaches thrive within contemporary practice.
Edgar Martins is interviewed by Caroline Hancock, curator and critic. Talk integrated in Paris Photo's 2011 series of talks, round tables & performances. Event scheduled for 4PM @ Paris Photo, Grand Palais, Rotonde de la Reine, Paris.
Edgar Martins in conversation with Peter D. Osborne, author and senior lecturer in Cultural Studies and History and Theory of Photography in the Faculty of Media at London College of Communication. Event scheduled for: 2PM @ The University of the Arts, Elephant & Castle, London.
In Conversation with Edgar Martins. Event scheduled for: 12:30PM @ The New Art Gallery Walsall, Gallery Square, Walsall WS2 8LG, UK.
Exhibition tour and talk with Edgar Martins. Event scheduled for: 12:30 & 2PM @ The New Art Gallery Walsall, Gallery Square, Walsall WS2 8LG, UK.
Edgar Martins in conversation with Francis Hodgson, photography critic for the Financial Time. Event scheduled for: 7PM @ The Wapping Project Bankside, 65a Hopton Street, London SE1.
Edgar Martins in conversation with David Campany, author and curator. Event scheduled for: 2PM @ The Wapping Project Bankside, 65a Hopton Street, London SE1.
The Time Machine featured in Hot Shoe Magazine and The British Journal of Photography.
Private view of The Time Machine: An Incomplete & Semi-Objective Survey of Hydro Power Plants @ Museu da Electricidade (Lisbon).
Private view of Infinite Balance: Artists and the Environment (group show) @ MOPA San Diego, California, USA.
Private view of Da Cartografia do Poder aos Itinerários do Saber (group show) @ Museu da Ciência da Universidade de Coimbra - a FCTUC & Museu Nacional - Universidade Federal do Rio de Janeiro co-production.
Private view of This is not a House @ The New Art Gallery Walsall (UK).
Private-view of The Time Machine @ Wapping project Bankside.
Work featured in the 9th International Photo Festival in TR1 Kunsthalle, Tampere.
Private view of A Culpa não é minha (works from the António Cachola collection), curated by Eric Corne @ Centro Cultural de Belém, Lisbon.
The Time Machine featured in The Guardian and Blueprint Magazine.
You can now follow me on Twitter.
Runner-up at Voies Off Prize. Work reviewed at www.lacritique.org .
Edgar Martins is now represented in the UK by The Wapping Project Bankside .
Edgar Martins is now represented in the UK by The Wapping Project Bankside.
Work featured in Art Presse (France), Connaissance Des Artes (France), L'Architecture d'Aujourd'hui (France) & BJP (UK).
Private view of Dwarf Exoplanets & Other Sophisms @ the Macau Pavilion (The 54th Venice Biennale).
Private view of The Burrow (group show) @ SIAKOS HANAPPE House of Art, Athens (Greece).
Wok published in QUART Magazine (Austria).
Private view of The Metaphysical Survey of British Dwellings @ Galerie Melanie Rio, Nantes (France).
Work published in AG & Hot Shoe Magazines (UK).
Talk entitled This is not a House @ Lincoln University.
Private view of Something That I'll Never Really See, Contemporary Photography from the V&A (Group show)@ The BHAU Daji Lad Museum, Mumbai (India).
Launch of new monograph entitled This is not a House, published by Dewi Lewis.
Winner of Professional Photographer Awards 2010 (Interiors/Architecture category).
Talk entitled This is not a House @ Westminster University, London.
Launch of When Light Casts no Shadow, Edgar Martins' latest monograph @ The Photographers' Gallery, London.
Book signing of The Wayward Line @ Melanie Rio Gallery Stand, Paris Photo, from 12:00-14:00. Galerie Melanie Rio will be displaying a selection of my recent works.
Paris Photo Close-up VIP: guided tour of solo show at Centre Culturel Calouste Gulbenkian (Paris) for Paris Photo guests, followed by a cocktail service.
Article published in Ipsílon (the cultural supplement of O Público newspaper, Portugal) concerning retrospective exhibition @ Centre Culturel Calouste Gulbenkian, Paris.
Private-view of solo show @ Centre Culturel Calouste Gulbenkian, Paris (curated by Sérgio Mah). Launch of monograph relating to work on show.
Private view of Interiores (group show) @ Cristina Guerra Contemporary Art. Exhibition curated by Pedro Gadanho. A book by the same title will be launched at this time.
Work featured in Blueprint magazine.
Private-view of About a Minute (group show) @ The Gopher Hole (London).
Awarded 1st Place at International Photography Awards, Fine Art Abstract Category and selected for the 2010 International Photography Awards Best of Show exhibition.
Work featured in Blueprint, Creative Review, Scórpio Magazine & Livraison Magazines.
Work featured in publications and periodicals such as T-Magazine (Portugal), SOL (Portugal), Expresso (Portugal), Dardo (Portugal/Spain), Livraison (Sweden), World Art China (China), Horizon Magazine (Macau/Hong Kong), amongst others.
Private view of A Metaphysical Survey of British Dwellings & Dwarf Exoplanets @ Hot Shoe Gallery.
Private view of This is not a House @ The Photographer's Gallery (PSG), London.
Launch of my facebook group page. Please follow me here.
Participation in Madrid Foto Fair with La Caja Negra.
Selected for AP+AI 2010 Photography Annual, USA.
Participation in seminar: UFG (UFAT Photograph Festival), Turkey.
Private view of Da Outra Margem do Atlântico: alguns exemplos de videoarte e fotografia portuguesa (group show) @ Centro de Arte Hélio Oiticica, Rio de Janeiro.
Private view of Des lendemains qui chantent @ Galerie Melanie Rio, Nantes.
Residency in Beijing, in conjunction with Red Gate Gallery.
Private view of When Light Casts no Shadow @ Caprice Horn Gallery, Berlin.
Official launch of When Light Casts no Shadow @ Paris Photo.
Private view of The Rate of Convergence of Two Opposing System Trajectories @ Galeria Graça Brandão, Lisbon. My latest monograph When Light Casts no Shadow will also be launched on this evening.
Private view of When Light Casts no Shadow and launch of book by the same name, at Porta33, Madeira.
Finalist of the Prix Pictet Photography Award. Results will be announced on October 22nd 2009.
Residency at the Everglades National Park, Florida (USA).
Launch of When Light Casts no Shadow, Edgar Martins' latest monograph @ Galerie Melanie Rio, Nantes.